I've long been a fan of Quentin Tarantino's films and various phases they have gone through over the many years from Pulp Fiction to Django Unchained to The Hateful Eight. Once Upon a Time in Hollywood is easily his most mature and thoughtful film since Jackie Brown, anchored by two fantastically drawn characters making their way through a Hollywood in transition.
In 1969 Hollywood, Rick Dalton (played by Leonardo DiCaprio) is an actor facing a career downturn. He made a name for himself starring on a T.V western and making a number of Western and War movies. But now he is getting by on making guest appearances on T.V shows, often playing the heavy. The best offer he has gotten is from a Producer Marvin Schwarzs (played by Al Pacino) to star in a series of Spaghetti Westerns, something he is less than enthused about. He relies a lot on his best friend and stunt man Cliff Booth (played by Brad Pitt). The two share a close bond and Cliff often acts as Rick's personal assistant as well, going so far as running errands and even fixing his T.V antenna. Living next door to Rick is Sharon Tate (played by Margot Robie) and Roman Polanski (Rafal Zawierucha), whom Rick clearly envies since Polanski is hot off directing the hit film Rosemary's Baby. During this, Cliff keeps crossing paths with a girl known as Pussycat (played by Margaret Qualley), who is a member of the Manson Family, who are currently squatting at the old Spahn Movie Ranch and led by Charlie Manson (played by Damon Herriman). It's only a matter of time before all the parties converge in unexpected ways.
Quentin Tarantino wrote and directed this cinematic love letter to a bygone era of Hollywood. In 1969, outside influences were starting to impact the kinds of movies Hollywood was making. Films were becoming grittier and what kinds of films were able to made were growing. The Vietnam War was in full swing and all the differing attitudes towards it as well. During this period of transition, some actors were finding their opportunities drying up as the current iteration of the Western genre was becoming played out with audiences gravitating towards the more complex and violent Spaghetti Westerns. Tarantino and his amazing crew lovingly recreate the Hollywood of the era as they not only painstakingly recreate Los Angeles circa 1969, but also some of the shows Rick stars on throughout the film, including a spot on recreation of an episode of The FBI that originally starred a young Burt Reynolds among a few other fun surprises. He also has a number of actors of the era turning up throughout the story, with notable appearances by Steve McQueen (played by Damian Lewis) and Bruce Lee (played by Mike Moh). And then he has the Manson family slowly working their way into the story and anyone who knows their history of the time knows that the two storylines will eventually and violently converge. Yet, as anyone who has seen Tarantino's Inglourious Basterds might already suspect, things don't go quite the way you might expect it to.
Leonardo DiCaprio is quite good as Rick Dalton as he digs into his character's insecurities and anxieties as he faces a faltering career and tries to figure out what to do next. DiCaprio has a great scene where Rick is in his trailer and he melts down over what he thought was a bad performance and then eventually pulls himself together, goes back out and knocks it out of the park. That scene has really stuck with me because as someone who has dealt with their fair share of anxiety and insecurity I really related to it. Brad Pitt's character Cliff is also experiencing a career downturn but, unlike Rick, he seems to be taking it in stride content to help out his buddy Rick day to day and retire each evening to his trailer located behind a drive in theater with his dog Brandy (herself practically another star of the movie) and just take things as they come. It's an interesting dichotomy between the two characters that I really enjoyed. Margot Robie has an interesting task in playing Sharon Tate and does a really great job in the role as well. She is very much a supporting character, but makes the most of each scene she is in, most notably an extended sequence when Tate is walking in downtown LA and decides to pop in to a matinee screening of a film she is in, The Wrecking Crew. Robie does such a great job showing Tate's initial insecurities slowly melt away to genuine elation at the audience around her and their enjoyment of her performance. It's completely non-verbal and fantastic. As an aside, I also appreciated that Quentin used actual footage from The Wrecking Crew with the real Sharon Tate in the footage in the scene as well. I also have to single out the performance by Damian Lewis as Steve McQueen. He's only in one scene, but he captures McQueen so well it's incredible to watch. Mike Moh is great in a similarly small appearance as Bruce Lee, although that has been a bit more controversial with his family stating the performance in the film doesn't match who Bruce Lee really was. To be fair, in the scene in question Cliff is antagonizing Bruce while they are both on the set of The Green Hornet and there is a scene later in the film where Bruce is teaching Sharon Tate some martial arts that seems to better match the real Bruce his family describes. It is also seen in flashback as Cliff reflects on the incident, so there is an unreliable narrator aspect to it as well. But, then again anyone who has seen the entire film can attest Quentin Tarantino isn't particularly interested in adhering strictly to historical fact anyway.
There is a lot to really like about Once Upon a Time in Hollywood. It has a slow burn quality for much of the film as it focuses on it's characters as the film builds towards it's inevitable end. But as the film goes on, I really got to know these characters and came to genuinely care about them so that when they do converge with the Manson Family, the tension is palpable as I wondered how this was all going to play out. It's also a far more character driven film than the last few Tarantino films, which makes for a different film than some people might be expecting. The film moves at a deliberate pace as it works establishing these characters day to day lives, including an extended scene of Cliff making Kraft Macaroni & Cheese that is shot so throughly, it had more that a few viewers picking up a box or two on the way home from the movie after winding up craving it themselves. It's a film that takes it's time telling it's tale, clocking in at roughly 2 hours and 40 minutes, and honestly is all the better for it.
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